Preparing for life with Alzheimer's
Yesterday, I was in the studio at Maritime Noon to talk about how patients and their loved ones can prepare for life with Alzheimer's or other forms of dementia. You can listen to the conversation here.
Writing, life, media, and the occasional musical touch.
Labels: CBC, Environment, My work, Nova Scotia, Radio
Labels: CBC, My work, Nova Scotia
Labels: CBC, Environment, My work, St. Margaret's Bay
Labels: Agriculture, CBC, Documentary, Food, Local food, My work
Labels: CBC, My work, St. Margaret's Bay
Labels: CBC, Halifax, My work, Sailing, St. Margaret's Bay
Labels: CBC, Environment, Food, My work, Nova Scotia
Labels: CBC, Nova Scotia
Labels: CBC, Freelance writing, Writing
Labels: CBC, Documentary, Greyhounds, Halifax, My work, Radio
Labels: CBC
A month or so ago, I did a script and clip segment on LEGO enthusiasts for the local CBC Radio morning show, Information Morning.
It featured three members of NovaLUG, the Nova Scotia LEGO users' group, discussing their LEGO obsession and showing off some of their creations. The clip features Owen Grace, a computer specialist whose passions are sailing and LEGO, and who is heavily into LEGO robotics, and Chris and Katherine Campagna, who talk about how LEGO has taken over their home. My thanks to them for being so generous with their time, and for showing me around the incredible display they built at the Maritime Museum of the Atlantic.
Back in December, I interviewed Jane Sladen and Mark Goodwin. They are a retired Halifax couple who are totally into Kiva. That's the micro-credit website that allows you to lend money (a minimum of $25) to entrepreneurs in the developing world.
Jane and Mark each head a lending team. Jane's is Crazy Canucks and Mark's is Animal Lovers. Both are in the top 20 worldwide. They were an interesting pair. Mark is retired from the Customs and Border Services drug team, and is a self-confessed Internet addict (he spends about eight hours a day online). Jane is more of a pure Kiva addict. She heard about the site on Oprah, and it changed her life.
Click here to listen to my conversation about Jane and Mark, with Don Connolly of CBC Radio's Information morning.
Labels: CBC, Documentary, My work, Nova Scotia, Radio

Maybe an odd topic for the middle of the summer, but I'm behind in putting this one online.
Back at the end of June, I did a short segment on the local CBC afternoon show with host Carmen Klassen.
The subject was the way the Halifax Regional School Board filters access to the Internet. They use software from a company called Netsweeper to control access to web content that may be offensive or that contravenes board policy.
The problem? The same filters apply to everyone, from 6-year-olds to staff.
The most shocking thing I found in doing this piece is just how reticent -- or maybe even frightened -- school staff are to say anything critical. I came across several teachers who were frustrated with the system, but who wouldn't agree to speak in public about it. The one who did told me she would probably get in trouble.
Meanwhile, the principals at two local high schools outright refused me access to their premises, even to interview students or to test out the system in their computer lab.
I have to give credit to Gerard Costard, the man who manages the system for the board. He'd been excoriated in two previous pieces on the subject by writer Bruce Wark, but he was still friendly and happy to give me an interview. He even set up a laptop in his office with the filters active so I could try out the system.
You can listen to the segment here.
Labels: CBC
Labels: CBC
Labels: CBC, Documentary, My work, Radio, Volunteer fire departments
Labels: CBC
Labels: CBC, Documentary, My work, Radio, Volunteer fire departments
Labels: CBC, My work, Radio, Volunteer fire departments

The Rules and Regulations for Canada Writes include the following sentence:Will the moral rights clause stop people from entering this contest? Yeah, right. But it lowers the bar even further -- like, below the floor -- when it comes to acting decently. Once enough people sign over these rights it becomes no big deal. And it should be a big deal.
"By entering the contest, each participant shall waive any and all moral rights over his/her entry."
I can understand that every legal department wants to protect itself from every circumstance, but I cannot understand why CBC would insist on this right.
Moral rights have no financial value. They include a) the right of the creator to be identified as such; b) the right to the integrity of the work (so that it is not altered or mutilated in a way that damages the creator's reputation); and c) the right of the creator to refuse to have the work used in a way that damages his or her honour or reputation.
The CBC does not require any of these in order to run its competition. Once a creator has given up moral rights, the CBC could, conceivably, sell contestants' entries to advertisers, publish entries written by one person under another's name, or mashup entries until they were unrecognizable.
There would likely be an outcry if the CBC did any of these things. So why insist that people give up the most fundamental right related to something they have created? It is obnoxious.
If it is too late for this year, perhaps the rules could be revised prior to next year's competition. I can't imagine anyone who truly understood the impact of waiving moral rights wanting to enter.
Labels: CBC, Free content, Freelance writing
"Unfortunately, you can find apologists for anything."
Starring stage actor Michael Therriault as the title character, Prairie Giant won awards and received praise from a number of critics. However, historians panned it for its depiction of former Saskatchewan premier Jimmy Gardiner, a Liberal. (Emphasis added.)Historians? As I understand it, there was only one historian who panned it -- and he or she was hired by the CBC and published his or her criticisms in an anonymous report.
Labels: CBC, My work, Screenwriting
“I have no beef with the Gardiner family. I’m sorry they’re upset, but this stuff should be debated, and if they want to defend Jimmy Gardiner they should be able to defend him in public. The point is this stuff should be defended in public,” Smith says. “If some academic wants to criticize it he should have the simple decency to do so under his own name. That’s all. It’s very simple. My name is on it. The name of everyone who worked on the film is on it. We’re not trying to hide anything–we’re trying to put it on television and let people argue about the history of Canada.”Full story here.
Labels: CBC, My work, Screenwriting
Are these washrooms a decidated resource for the disabled - like a parking spot - making their use by the able-bodied immoral or illegal? Or are they like wheelchair ramps - allowing accessibility to everyone?Full post from CBC'er Paul Gorbould's blog here.
Labels: CBC, Copywriting


Vegetarians, PETAssholes and Such-Like Filth Cannot be Reasoned With
Because their food preferences are a RELIGION with them, every bit as much as the fundies. And they want to FORCE their religion on the rest of us.
Some of us won't go quietly. They would be safer trying to take a steak away from a tiger than from me.
Tigers don't carry guns.
Monday February 19, 2007I didn't get much of an opportunity to work with Stewart Young, because he got shifted to another job, but Laura Chapin was fantastic. Relationships with producers can be tricky, but Laura seemed to make it easy.High Steaks
by: Philip MoscovitchPhilip Moscovitch gave up eating meat 20 years ago. Now, he's feeling the siren call of bacon, sausages and beef. His vegetarian partner and children aren't thrilled. Find out what happens when he heads out to buy his first steak in two decades.
Producers: Laura Chapin & Stewart Young
There is some music in the piece: part of Vegetarian Mumbo Jumbo by NOFX, a couple of clips from Chicken Cordon Blues by Steve Goodman, and an excerpt from Steven's Blues, by my buddies The Reluctants.
FASCINATING NEW MASONIC HALL OPENED BY HRH DUKE OF KENT
Beamish launched its most intriguing and fascinating attraction to date on 19th April 2006, with the opening of the “brand new” Masonic Hall – the first to permanently open to the public in Europe !
HRH The Duke of Kent (Head of the United Grand Lodge of Freemasons in England) opened the Masonic attraction along with hundreds of Freemasons in full regalia. The Freemasons processed and gathered along The Town Street at Beamish. This was the largest public gathering of Freemasons in full regalia in recent memory !
The intriguing Masonic Hall is a truly authentic recreation of an early 20th century Masonic Hall – with a ‘real' fine frontage that has come from a former Masonic Hall in Park Terrace, Sunderland, taken down and rebuilt at Beamish. A simply stunning Masonic Hall has been built behind the frontage with a breath-taking interior complete with period décor and rare Masonic furnishings, paintings and artefacts, providing a unique insight into the world of the Freemasons in 1913.
Labels: CBC, Copywriting